Showing posts with label Living. Show all posts
Showing posts with label Living. Show all posts

Friday, 22 July 2011

7 Great & Fun Ways To Earn Your Living In The World of Music


There are lots of ways to make a living in the music industry, and very few of them have anything to do with getting on stage and performing, or trying to crack the lineup on American Idol. In fact, most of them reward interpersonal skills and organizational skills more than they reward a strong voice, or the ability to rip the chords on a Fender, or bang out 1/64 beats on a drum kit.

First, a lot of work goes into making a record, from the producer, who tries to shape the band's vision into a commercially viable product, to the sound mixers, who record each layered track and mix everything on potentiometers and a sound board, to production assistants who do the graphic design on the album cover and the liner notes. In a lot of cases, being "the sound guy" doing the mixing pays better than being the artist in front of the microphone.

Second, working at the record label requires not just a love of music, but all the skills you'd need for an office job. Each record label handles things differently, but a lot of the work comes down to tour bookings, making sure that promotional copy and cover art goes out at the right times, and in general, being on top of organizing things and making sure that everything comes into place. Beyond getting a paycheck, you also get to know that you're helping bring a lot of talented artists to the listening public.

A third way to make money in the music industry, If you're organized, but don't like the idea of being confined to an office gig, look into becoming a roadie. The hours are long, the work is mostly anonymous, and you travel a lot, but you legitimately get to say "I'm with the band!" A lot of theater experience will help here, as will some experience with production work; you'll need to be able to run sound checks and make the myriad last minute adjustments that every new venue needs before the show can go on. Likewise, for larger acts, there are on-the-road assistants who handle makeup, wardrobe and all the little details so the band members can keep their focus on the act, including rehearsal time and warm-ups.

A fourth way to make a living in the music industry, if you find the idea of working directly with musicians or the recording industry directly, consider getting a job as a disk jockey on a radio station. Most radio stations are constantly looking for on-air talent, and if you're a college student, you can probably get some experience cut in on the campus radio station. Similarly, being a programming director at a radio station gives you a lot of influence over the kind of music the station plays.

Fifth, consider teaching. If you have musical talent, but aren't up to booking or running a band, there are other avenues you can work with. The most commonly explored one is as a music teacher. Lots of communities are looking for part time music teachers, and some states will let college students do music programs. Being a music teacher generally requires competence with the piano, and usually some training in running band practice, orchestra practice or choir, though some districts will let you focus on teaching world music classes, or esoteric instruments, particularly as part of a campus outreach program.

If you're going to teach choir, you'll need to understand the methodologies of teaching vocal instruction. Proper breathing, proper articulation, and how to direct multi-part harmonies in the standard four sections (bass, tenor, alto, soprano). Again, competence in piano is important, because most high school and junior high music ensembles will be taking their notes from the piano.

Orchestra and band require broader instrument knowledge. Unlike a choir director, you have to understand the principles of the various sections of instruments being run, from woodwinds, to brass, to strings and percussion; this requires enough knowledge to teach a student, but generally lacks the time to become deeply focused or specialized in any single instrument.

Related, but profoundly different from music instruction is pedagogy and musical therapy. Pedagogy is the modern outgrowth of teaching child prodigies about music and nurturing them to the best of their ability. Music therapy is a technique for using music, both listening and participatory, to help subjects heal from psychological and other traumas; both require a lot of expertise not just in musicianship, but in another rigorous academic field as well.

Sixth, if you just enjoy playing your instrument and have some friends who are similarly inclined, don't forgo the opportunity to form a band and play the music you enjoy. If you're doing a band, don't think of it as the road to fame and fortune, look at it as a way to make money doing something you love.

Seventh, another job in the music industry is a music store clerk. Although more music is sold online every passing year, a lot of music consumers are looking for informed opinion and retail help when they browse the stacks and look at music they'd like to try. If you have a love of music and the people skills to inform and recommend and close the sale, being a music store clerk may be the best slot for you!

All of these are options to find a job, a career, even an avocation in the field of music. Many become rewarding, life time long jobs. Even for the people who work in the music field and then move on to something else, their experience working in "the business" gives them a certain cachet at parties and the ability (from time to time) to say "Yeah, I remember them from back when they were unknown."




Duane Shinn is the author of the popular free 101-week online e-mail newsletter titled "Amazing Secrets Of Exciting Piano Chords & Sizzling Chord Progressions- Intelligent Piano Lessons For Adults Only! " with over 84,400 current subscribers.





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Thursday, 23 June 2011

Thoreau’s Guide to Living More by Spending Less


There are lots of reasons for living a more minimalist life. By owning less you reduce your impact on the environment, you spend less, and you live more simply.

For Henry David Thoreau, the reason for spending less boiled down to a simple formula. It’s what I call “the life calculation.” Here’s how Thoreau describes it:

The cost of a thing is the amount of what I will call life which is required to be exchanged for it, immediately or in the long run.

Why live more simply? Because the more stuff we buy, the more we end up exchanging our life for the things we own. This is a radical way of thinking about cost. Normally, we think of cost as a measure of dollars and cents. The latest iPhone costs $399. A new Toyota Prius costs around $25,000. A house on the beach in Malibu costs $20,000,000. You get the idea.

Thoreau’s key insight is that the things we buy don’t just cost money, they cost us time, effort, and sacrifice. They cost us our life.


Example. Let’s say you decide to buy a million dollar house. Thoreau would say that the real cost of the house isn’t one million dollars. The real cost is the number of years of work required to pay it off. So if it takes you 40 years of long hours working a job you hate to pay off that house, then it’s real cost is not one million dollars, it’s 40-years of life.

How can we apply Thoreau’s “life calculation” to our daily lives? Here are three steps that might help:
  1. What’s Your Work Time Worth?
    The first step in applying the “life calculation” is to calculate the value of your working hours. Let’s say you make $50,000 a year working 40 hours a week. After taxes, you end up actually seeing $35,000 (this will depend on where you live, number of dependents, etc.). Assuming you work 50 weeks a year, the monetary value of each working hour is around $17.

  2. The Shift From Dollars to Life.
    Once you’ve nailed down the rough value of each working hour, you can begin shifting away from thinking dollars to thinking life. You do this by calculating the life cost of all those things you wish you could buy. So that new MacBook Pro you wish you had no longer costs $1,800. If each hour of work is worth $17, it now costs 105 hours (almost three weeks) of life. That new house you wish you could buy no longer costs $500,000, it costs 29,411 hours of life (roughly 14 working years of life, and that’s assuming that the house is the only thing you spend your money on).

  3. Consider trading things for life.
    Once you’ve calculated these actual life costs, think seriously about the trade-off between things and life. For Thoreau, the trade-off was simple. He always chose life over new things. As he says, “There is no more fatal blunderer than he who consumes the greater part of his life getting his living.” But you may decide that certain things are worth the life sacrifice. This doesn’t mean you’ve failed at spending less and living more. Quite the opposite. It means that you have made a reflective choice to sacrifice a portion of your days and hours for the things you own. You’ve made a conscious choice. The real danger Thoreau points to arises when we lose consciousness of this choice, when we buy without ever considering the amount of life exchanged for our latest purchase.
Of course, many of us work on a fixed schedule. We cannot call in one day and decide that we are going to exchange the next month of earnings for a month spent walking through the woods.

This may be true. But it’s also true that employers are becoming more flexible. I just had lunch with a CEO who told me, “I would be happy to let an employee take a few more weeks off for a cut in pay. But nobody has ever asked for it.”

What do you think about Thoreau’s “life calculation”? Would it help you spend less and live more?
Written on 5/18/2011 by Nate Klemp. Nate earned his PhD at Princeton and is a professor at Pepperdine University. He founded LifeBeyondLogic.com, a website dedicated to exploring philosophy as an art of living. You can follow him on Twitter @LifeBeyondLogic and on Facebook. Download a free copy of his new ebook, Finding Reality: Thoreau’s Lessons for Life in the Digital Age.Photo Credit: Fred Sheahan






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